{"version":"1.0","provider_name":"Stiftung Haydn","provider_url":"https:\/\/www.haydn.it\/de","author_name":"Stiftung Haydn","author_url":"https:\/\/www.haydn.it\/de","title":"Alessandro Bonato | Stiftung Haydn","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"Tq6IugSRlr\"><a href=\"https:\/\/www.haydn.it\/de\/veranstaltungen\/alessandro-bonato\">Alessandro Bonato<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.haydn.it\/de\/veranstaltungen\/alessandro-bonato\/embed#?secret=Tq6IugSRlr\" width=\"600\" height=\"338\" title=\"&#8222;Alessandro Bonato&#8220; &#8212; Stiftung Haydn\" data-secret=\"Tq6IugSRlr\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.haydn.it\/wp-content\/uploads\/2024\/05\/Haydn-2024-Stagione-24-25-Sito-Concerti-PAGANO-Tchaikovsky-Sostakovic-1200x1200-1.jpg","thumbnail_width":1200,"thumbnail_height":1200,"description":"Die Toten steigen aus ihren Gr\u00e4bern und tanzen: 1960 reist Dimitri Schostakowitsch nach Dresden und besucht dort die Dreharbeitern zu dem Film \u201eF\u00fcnf Tage und f\u00fcnf N\u00e4chte\u201c \u00fcber die Zerst\u00f6rung der Stadt, f\u00fcr den er die Musik komponieren soll. Es kommt anders: \u201eWie sehr ich auch versucht habe, die Arbeiten f\u00fcr den Film im Entwurf [&hellip;]"}