{"version":"1.0","provider_name":"Stiftung Haydn","provider_url":"https:\/\/www.haydn.it\/de","author_name":"Stiftung Haydn","author_url":"https:\/\/www.haydn.it\/de","title":"Glass Marcano | Stiftung Haydn","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"kWhmvZ2TKv\"><a href=\"https:\/\/www.haydn.it\/de\/veranstaltungen\/glass-marcano-2\">Glass Marcano<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.haydn.it\/de\/veranstaltungen\/glass-marcano-2\/embed#?secret=kWhmvZ2TKv\" width=\"600\" height=\"338\" title=\"&#8222;Glass Marcano&#8220; &#8212; Stiftung Haydn\" data-secret=\"kWhmvZ2TKv\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.haydn.it\/wp-content\/uploads\/2025\/08\/Haydn-2025-Stagione-25-26-Sito-Concerti-1200x1200_11.jpg","thumbnail_width":1200,"thumbnail_height":1200,"description":"Die argentinische Pampa sei \u201enicht nur eine physische Umgebung, sondern eine Lebensform\u201d, stellt der Philosoph Carlos Astrada 1948 in seinem Buch \u201eEl mito Gaucho\u201d fest. In zwei Werken f\u00fcr Violoncello und Klavier (Pampanea Nr. 1 und Nr. 2) und in einer sinfonischen Pastorale (Pampanea Nr. 3) setzt sich \u2013 fast zeitgleich \u2013 auch der argentinische [&hellip;]"}