{"version":"1.0","provider_name":"Stiftung Haydn","provider_url":"https:\/\/www.haydn.it\/de","author_name":"Stiftung Haydn","author_url":"https:\/\/www.haydn.it\/de","title":"Il Combattimento di Tancredi e Clorinda | Stiftung Haydn","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"gfBfsEyNjr\"><a href=\"https:\/\/www.haydn.it\/de\/veranstaltungen\/il-combattimento-di-tancredi-e-clorinda-4\">Il Combattimento di Tancredi e Clorinda<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.haydn.it\/de\/veranstaltungen\/il-combattimento-di-tancredi-e-clorinda-4\/embed#?secret=gfBfsEyNjr\" width=\"600\" height=\"338\" title=\"&#8222;Il Combattimento di Tancredi e Clorinda&#8220; &#8212; Stiftung Haydn\" data-secret=\"gfBfsEyNjr\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.haydn.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/www.haydn.it\/wp-content\/uploads\/2026\/04\/Haydn-web-square-6.png","thumbnail_width":1200,"thumbnail_height":1200,"description":"1624 vertont Claudio Monteverdi eine Episode aus Torquato Tassos Gerusalemme Liberata: Zwei Krieger begegnen sich nachts im Kampf, ohne einander zu erkennen, verwunden sich gegenseitig, und erst im letzten Atemzug begreift er, dass er die Frau get\u00f6tet hat, die er liebte. Vierhundert Jahre sp\u00e4ter richtet der Choreograf Philippe Kratz den Blick auf dieselbe Szene und [&hellip;]"}