{"version":"1.0","provider_name":"Stiftung Haydn","provider_url":"https:\/\/www.haydn.it\/de","author_name":"Stiftung Haydn","author_url":"https:\/\/www.haydn.it\/de","title":"Michele Spotti | Stiftung Haydn","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"fCQnvIMwin\"><a href=\"https:\/\/www.haydn.it\/de\/veranstaltungen\/michele-spotti-4\">Michele Spotti<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.haydn.it\/de\/veranstaltungen\/michele-spotti-4\/embed#?secret=fCQnvIMwin\" width=\"600\" height=\"338\" title=\"&#8222;Michele Spotti&#8220; &#8212; Stiftung Haydn\" data-secret=\"fCQnvIMwin\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.haydn.it\/wp-content\/uploads\/2024\/05\/Haydn-2024-Stagione-24-25-Sito-Concerti-SPOTTI-Bizet-Ravel-1200x1200-1.jpg","thumbnail_width":1200,"thumbnail_height":1200,"description":"Die englische K\u00f6nigin Elisabeth I liebt diesen feierlichen und repr\u00e4sentativen Tanz: Wenn der Hochadel an den europ\u00e4ischen Renaissanceh\u00f6fen prachtvoll gekleidet in seine Balls\u00e4le einzieht, wird er dort gew\u00f6hnlich mit einer Pavane empfangen. Der 24j\u00e4hrige Maurice Ravel vollendet die \u2013 1910 orchestrierte \u2013 Klavierfassung seiner \u201ePavane pour une infante d\u00e9funte\u201d 1899 als Student am Konservatorium in [&hellip;]"}