{"version":"1.0","provider_name":"Stiftung Haydn","provider_url":"https:\/\/www.haydn.it\/de","author_name":"Stiftung Haydn","author_url":"https:\/\/www.haydn.it\/de","title":"Yutaka Sado | Stiftung Haydn","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"M0WUncSSp6\"><a href=\"https:\/\/www.haydn.it\/de\/veranstaltungen\/yutaka-sado-2\">Yutaka Sado<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.haydn.it\/de\/veranstaltungen\/yutaka-sado-2\/embed#?secret=M0WUncSSp6\" width=\"600\" height=\"338\" title=\"&#8222;Yutaka Sado&#8220; &#8212; Stiftung Haydn\" data-secret=\"M0WUncSSp6\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.haydn.it\/wp-content\/uploads\/2024\/05\/Haydn-2024-Stagione-24-25-Sito-Concerti-SADO-Uvietta-Schubert-1200x1200-.jpg","thumbnail_width":1200,"thumbnail_height":1200,"description":"Unvollendet, aber nicht unfertig: In seiner Musik \u201ewandert\u201c Franz Schubert in \u201eferne Gegend\u201c und f\u00fchlt jahrelang \u201eden gr\u00f6\u00dften Schmerz und die gr\u00f6\u00dfte Liebe mich zerteilen\u201c, wie er im Juli 1822 in seinem r\u00e4tselhaften Text \u201eMein Traum\u201c schreibt. Im gleichen Jahr arbeitet er an einer Sinfonie, die er \u2013 wie ein Wanderer, der zwar immer wieder [&hellip;]"}