1.0Fondazione Haydnhttps://www.haydn.it/enFondazione Haydnhttps://www.haydn.it/enrich600338<blockquote class="wp-embedded-content" data-secret="Xj9wnsoTel"><a href="https://www.haydn.it/en/events/gabor-takacs-nagy-5">Gábor Takács-Nagy</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.haydn.it/en/events/gabor-takacs-nagy-5/embed#?secret=Xj9wnsoTel" width="600" height="338" title="“Gábor Takács-Nagy” — Fondazione Haydn" data-secret="Xj9wnsoTel" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); /* ]]> */ </script> https://www.haydn.it/wp-content/uploads/2025/08/Haydn-2025-Stagione-25-26-Sito-Concerti-2250x1070_15.jpg22501070“I go every Sunday at 12 to Baron von Swieten’s,” Mozart wrote to his father in April 1782. In Vienna, Gottfried van Swieten maintained an extensive music library with works by Handel and Bach. Mozart would borrow prints and manuscripts, study compositional techniques, and in 1783 applied them with virtuosity in a fugue. Five years […]