1.0Fondazione Haydnhttps://www.haydn.it/enFondazione Haydnhttps://www.haydn.it/enrich600338<blockquote class="wp-embedded-content" data-secret="GdvC1ZlFes"><a href="https://www.haydn.it/en/events/vimbayi-kaziboni-2">Vimbayi Kaziboni</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.haydn.it/en/events/vimbayi-kaziboni-2/embed#?secret=GdvC1ZlFes" width="600" height="338" title="“Vimbayi Kaziboni” — Fondazione Haydn" data-secret="GdvC1ZlFes" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); /* ]]> */ </script> https://www.haydn.it/wp-content/uploads/2025/08/Haydn-2025-Stagione-25-26-Sito-Concerti-2250x1070_18.jpg22501070“In 1949, at the age of 26, I learned to jot down folk songs by ear at the Institute for Folklore in Bucharest. Many melodies stayed with me in my memory, and so in 1951 the Romanian Concerto was born,” recalled György Ligeti. The public performance of the piece, which echoed the quirky sound of […]