{"version":"1.0","provider_name":"Fondazione Haydn","provider_url":"https:\/\/www.haydn.it\/en","author_name":"Fondazione Haydn","author_url":"https:\/\/www.haydn.it\/en","title":"Alessandro Bonato | Fondazione Haydn","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"Ah6r2KmuNT\"><a href=\"https:\/\/www.haydn.it\/en\/events\/alessandro-bonato-13\">Alessandro Bonato<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.haydn.it\/en\/events\/alessandro-bonato-13\/embed#?secret=Ah6r2KmuNT\" width=\"600\" height=\"338\" title=\"&#8220;Alessandro Bonato&#8221; &#8212; Fondazione Haydn\" data-secret=\"Ah6r2KmuNT\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.haydn.it\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/www.haydn.it\/wp-content\/uploads\/2026\/06\/Haydn-2026-Summer-Sito-Eventi-1200x1200_4.jpg","thumbnail_width":1200,"thumbnail_height":1200,"description":"One of the points of contact between the Italian operatic tradition and the Russian symphonic repertoire is undoubtedly the expressiveness of the melodies and the visionary nature of the orchestration. It is precisely this aspect that underpins the uniqueness of the programme, which brings Sergei Rachmaninoff\u2019s Piano Concerto No. 2 into dialogue with a selection [&hellip;]"}