{"version":"1.0","provider_name":"Fondazione Haydn","provider_url":"https:\/\/www.haydn.it\/en","author_name":"Fondazione Haydn","author_url":"https:\/\/www.haydn.it\/en","title":"Nicol\u00f2 Umberto Foron | Fondazione Haydn","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"ejLbET9Job\"><a href=\"https:\/\/www.haydn.it\/en\/events\/nicolo-umberto-foron-2\">Nicol\u00f2 Umberto Foron<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.haydn.it\/en\/events\/nicolo-umberto-foron-2\/embed#?secret=ejLbET9Job\" width=\"600\" height=\"338\" title=\"&#8220;Nicol\u00f2 Umberto Foron&#8221; &#8212; Fondazione Haydn\" data-secret=\"ejLbET9Job\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.haydn.it\/wp-content\/uploads\/2025\/08\/Haydn-2025-Stagione-25-26-Sito-Concerti-1200x1200_7.jpg","thumbnail_width":1200,"thumbnail_height":1200,"description":"In Tchaikovsky\u2019s Violin Concerto \u201cthe violin is no longer played, it is torn apart, shredded, blackened,\u201d railed critic Eduard Hanslick after the premiere in December 1881 in Vienna. The concerto was written in the wake of a broken marriage and a psychological collapse. On July 18, 1877, the composer married his pupil Antonina Milyukova. \u201cIt [&hellip;]"}